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Great Technical Writing: Banish These Two Attitudes

Incomplete User Documents disappoint your Readers. Two attitudes of many Technical Writers result in ... - Barry Millman
 

Why You Need A Professional Proofreader

Most people imagine they?re capable of writing professional copy but when you look around the web, t ... - Sharon Jacobsen
 

Review of A Classic: Finney's Invasion of The Body Snatchers

A look at why this important work, even though only a story to the author, was a powerful, frighteni ... - David Silva
 
 

Five Benefits of Article Writing

Here are five ways that I have benefitted from writing articles and you can also share these benefit ... - Nicholas Dixon
 

Writers Should Ask: What Will Ezines Do With Millions of Free Articles?

Talk about an embarrassment of riches! - Dr. Gary S. Goodman
 

The Power of the Written Word

Sometimes the best medicine for all that clutter in your mind, is the power of the written word. Fee ... - Lesley Moore
 

 

 
 

Index Page –› Art & Creative –› Writing & Editing
 

Hero's Journey (Monomyth) and Screenwriting: the Secret of Writing Success

 
< P > [ F r o m o u r d e c o n s t r u c t i o n o f h u n d r e d s o f H o l l y w o o d b l o c k b u s t e r s a n d s i t c o m s ( s e e b e l o w f o r t h e U R L o f o u r H o m e P a g e ) a n d o u r i s o l a t i o n a n d i d e n t i f i c a t i o n o f m o r e t h a n 1 8 8 s t a g e s o f t h e H e r o ' s J o u r n e y t h a t y o u n e e d t o k n o w a b o u t . . . ] < / P > < P > T h e H e r o ' s J o u r n e y i s t h e t e m p l a t e u p o n w h i c h t h e v a s t m a j o r i t y o f s u c c e s s f u l s t o r i e s a n d H o l l y w o o d b l o c k b u s t e r s a r e b a s e d u p o n . I n f a c t , A L L o f t h e H o l l y w o o d m o v i e s w e h a v e d e c o n s t r u c t e d a r e b a s e d o n t h i s t e m p l a t e . < / P > < P > < B > U n d e r s t a n d i n g t h i s t e m p l a t e i s a p r i o r i t y f o r s t o r y o r s c r e e n w r i t e r s . < / B > < / P > < P > < B > T h e H e r o ' s J o u r n e y : < / B > < / P > < P > a ) A t t e m p t s t o t a p i n t o u n c o n s c i o u s e x p e c t a t i o n s t h e a u d i e n c e h a s r e g a r d i n g w h a t a s t o r y i s a n d h o w i t s h o u l d b e t o l d . < / P > < P > b ) G i v e s t h e w r i t e r m o r e s t r u c t u r a l e l e m e n t s t h a n s i m p l y t h r e e o r f o u r a c t s , p l o t p o i n t s , m i d p o i n t a n d s o o n . < / P > < P > c ) I n t e r p r e t e d m e t a p h o r i c a l l y , l a t e r a l l y a n d s y m b o l i c a l l y , a l l o w s a n i n f i n i t e n u m b e r o f v a r i e d s t o r i e s t o b e c r e a t e d . < / P > < P > a n d m o r e . . . < / P > < P > < B > A l l s t o r i e s a r e Q u e s t s < / B > < / P > < P > T h e H e r o ' s J o u r n e y i s o f t e n t e r m e d " Q u e s t T h e o r y " i m p l y i n g t h a t i t i s f i t f o r o n l y A r t h u r i a n l e g e n d / d r a g o n ' s L a i r / d a m s e l i n d i s t r e s s / t r e a s u r e h u n t t y p e s t o r i e s . T h i s i s v e r y m i s l e a d i n g . < / P > < P > R e p l a c e t h e t r e a s u r e i n t h e d r a g o n ' s l a i r o r t h e d a m s e l i n t h e t o w e r w i t h t h a t w h i c h y o u r H e r o r e q u i r e s a n d y o u w i l l s e e t h a t a l l s t o r i e s a r e a c t u a l l y Q u e s t s . < / P > < P > I n T h e l m a a n d L o u i s e ( 1 9 9 1 ) , T h e l m a d e s p e r a t e l y w a n t s t o c h a n g e h e r l i f e . W h e n s h e p u l l s a g u n o n t h e o f f i c e r , t a k e s h i s b e l t a n d g l a s s e s - t h a t i s h e r t r e a s u r e , t h e e m b o d i m e n t o f h e r N e w S e l f . < / P > < P > I n A m e r i c a n B e a u t y ( 1 9 9 9 ) , w h e n C a r o l y n e c s t a t i c a l l y f i r e s h e r g u n i n t h e s h o o t i n g r a n g e - t h a t i s h e r t r e a s u r e , t h e e m b o d i m e n t o f h e r N e w S e l f . < / P > < P > W R I T E T H A T S C R E E N P L A Y ! < / P > < P > < B > L e a r n m o r e < / B > < / P > < P > T h e < B > C o m p l e t e 1 8 8 s t a g e H e r o s J o u r n e y < / B > a n d o t h e r s t o r y s t r u c t u r e t e m p l a t e s c a n b e f o u n d a t < A h r e f = " h t t p : / / w w w . c l i c k o k . c o . u k / " t a r g e t = _ n e w > h t t p : / / w w w . c l i c k o k . c o . u k / < / A > < / P > < P > M a n a g i n g C r e a t i v i t y a n d I n n o v a t i o n a n d r e l a t e d t e c h n i q u e s a n d t o o l s c a n b e f o u n d a t < A h r e f = " h t t p : / / w w w . m a n a g i n g - c r e a t i v i t y . c o m / " t a r g e t = _ n e w > h t t p : / / w w w . m a n a g i n g - c r e a t i v i t y . c o m / < / A > < / P > < P > Y o u c a n a l s o r e c e i v e a r e g u l a r , f r e e n e w s l e t t e r b y e n t e r i n g y o u r e m a i l a d d r e s s a t t h i s s i t e . < / P > < P > K a l B i s h o p , M B A < / P > < P > * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * < / P > < P > Y o u a r e f r e e t o r e p r o d u c e t h i s a r t i c l e a s l o n g a s n o c h a n g e s a r e m a d e , t h e a u t h o r ' s n a m e i s r e t a i n e d a n d t h e l i n k t o o u r s i t e U R L r e m a i n s a c t i v e . < / P >
Author: Kal Bishop
 
Author Bio:

Kal Bishop

Kal Bishop is a management consultant based in London, UK. His specialities include Knowledge Management and Creativity and Innovation Management. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller.

 
 
 

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